" They're all good, "currently in the hall, is a remake of a movie, same title, which Giuseppe Tornatore created 21 years ago. Yesterday was Marcello Mastroianni Today Robert De Niro. The story is basically the same. The protagonist is a retired widower with children scattered across various cities in the United States. We will find them one by one, discovering the truth about their lives that would never have imagined. The remake remains fairly faithful to the original: the idea of \u200b\u200btraveling traveling in search of children is very beautiful. Tornatore it "went down more heavily." The Sicilian alternated the various moments of the route to a dream vision that loosely follows the imaginary Fellini. Mastroianni, then, was moving. Here is "dreams" less, however, attention is paid mainly to the facts. The style is drier, more "American." But there are choices like the poetic narrative reference to the telephone wires: De Niro clothed during his working life, the wires, the communication between the boys pass through those cables, the father who can not communicate with their children, etc. etc. . De Niro gives a great trial, yet another confirmation of his talent. And it does so with its own style, without trying to bounce back and melancholy all'ingombrante earlier.
The story, though, to dig a well Tornatore through the maze of family dynamics, even transports audiences into a journey through the period. Every child a city, each city a character, an identity. Between the lines is also a controversy about the company of those years (the image of the baby engrossed watching television ....). In the American version lacks this aspect and the director focuses mainly on parent-offspring.
inevitably affected.
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