Cetto La Whatever it is ... the sum of the defects of a politician today. Taking the field for personal, to avoid dangerous changes in the status quo ante. Catholic unconsciousness, a womanizer with a conscience. Enemy of any "normal" habits than the "norms". Welcome corrupt and mistreated in the south, criminal and torn.
Antonio proposes Albanian moviegoers one of its most successful masks, designed for television sketches. Not always the transition from small to big screen work. But producers, directors and artists are finding the right keys to avoid hotels flop. Fandango, Giulio Manfredonia and, of course, Albanian link on the road construction around the character of the matter, a comedy where characters, locations, colors are intentionally exaggerated. It returns to the small business world cheat, syntetizing in all the vices known (and loved?) By the Italians and upload tones and characters, within a framework that would grotesque. In entr'actes that follow more the atmosphere already seen on TV, Albanian gives his best, trailing the success of the scenes and jokes and laughter of the audience. But where the wheel turns more toward reconstruction by comedy standards, that's the size of the film and the comic effect, waver. Smiles that make their way, however, the skill of the Albanian and his comic timing can rip. Perhaps it should have been a greater effort to make even more marked and grotesque characters and situations brought to the scene.
The rest is love of laughter, given the current political, social and cultural experience in Italy. Ignorance, corruption, inconsistency of the matter will reflect? Little hope to do so.
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