When you decide to make a film, you want to tell a story. It starts with an idea, maybe a special atmosphere, an original character, a character to make known, in full-time change. In the first Tron, released in 1982, this idea was, in spite, then, the film has aged badly, in contrast to other futuristic films released in those years, however, have made the history of cinema (from "Star Wars" to "ET." for instance). In Tron Legacy, the sequel to the Disney wanted to build years of zero, there is no idea of \u200b\u200blonging. When it seems that a film has been produced starting from the gadgets and toys to market to buy, and not by "other", it's getting sad. And the sequel to Steven Lisberg does just that effect. It may in fact be regarded as merely well-made version, from the standpoint of aesthetic Technologic or first Tron, a pioneer in the eighties. The second, however, disappointed by a number of ways, shaping up as yet another soulless giocattolone, ready, pass me the term "stoned" by getting strategic merchandising, the boys in pre-adolescence and beyond. Worth the film, however, but the eleven euro for the projection, the scenes of challenges, including chases and fights with technological gizmos wonderfully hellish.
For everything else, "arridatece" Matrix. The screenplay is deboluccia, with characters who appear and disappear without any major problems with writing, with plot twists too illogical or phone calls, with dialogue that surface more than once a wink to other films.
But what really disappoints is, as noted above, the lack of a vision, an idea, a story to tell, in the fullest sense that you can find. In the eighties was the beginning and throughout the computer into a movie set, in a nutshell, a motherboard or an operating system (not 'm not an expert about it :-)), was a brilliant idea. In 2010 the World "explodes" for Wikileaks affair. Julian Assange is the man of the year. We talk about digital natives and Underground computing (read seven of the Corriere della Sera). Everything leads to a time and a macro-history in constant change and fast. Not only technological. It was to capture a vitality, a ferment, a reflection of a world in which we all live, to be told to be better understood. And in this film is an invaluable tool. One missed cue instead
Tron Legacy for that, although set in two "location" well-known age 2.0 (the reality and the network), it does not deepen ties and channels. The universe programs and bytes could be easily star a landscape or a dream environment, however little has been exploited the food for thought "necessary" on the interconnections between the two worlds.
bad.
ps. wonderful soundtrack with Daft Punk.
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